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edward.maurath

HWV63A0 - Judas Maccabeus (1746) Overture in g minor

edward.maurath

11:07	Est. Play Time
186	Measures
	2,568Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
Viole	18	0	4	8	83%
Contrabassi Continuo	25	0	10	10	81%
Violoncelli Continuo	25	0	10	10	81%
Bassoon Continuo	26	0	10	10	45%
Oboe 1	22	0	8	9	45%
Organo	16	39	5	9	40%
	20	1	5	9	41%
Cembalo Continuo	17	42	5	6	30%
	20	4	3	6	30%
Oboe 2	18	0	5	7	26%

WQ40 - iphignie en aulide (Gluck)

edward.maurath

8:14:19	Est. Play Time
4517	Measures
	57,351Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	609	29	13	97%
	58	373	40	11	96%
View all 26 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	609	29	13	97%
	58	373	40	11	96%
Iphigénie	21	0	15	11	18%
Achille	19	0	11	9	18%
Soprano	20	0	7	9	16%
Alto	19	0	6	9	15%
Clytemnestre	20	0	13	8	15%
Ténor	11	0	4	4	0%
	6	0	0	4	0%
	18	0	10	9	15%
Basse	13	0	3	4	0%
	19	0	9	9	15%
	15	0	2	7	1%
Agamemnon	20	0	12	8	13%
Calchas	20	2	10	8	2%
Patrocle	14	0	4	6	1%
1ʳᵉ Grecque	16	0	4	6	1%
Arcas	11	0	4	5	1%
Diane	16	0	6	7	1%
Grec	8	0	1	5	0%
Ténor 1	8	0	1	6	0%
Ténor 2	9	0	1	6	0%
2ᵉ Grecque	11	0	1	5	0%
3ᵉ Grecque	10	0	2	5	0%
Femme de la suite d’Iphigénie	10	0	0	5	0%
Esclave Lesbienne	7	0	0	3	0%

BWV 1053 Harpsichord Concerto Number 2 in E Major

edward.maurath

22:35	Est. Play Time
608	Measures
	8,034Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo - RH	31	22	10	10	100%
Cembalo Solo - LH	33	13	10	7	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo - RH	31	22	10	10	100%
Cembalo Solo - LH	33	13	10	7	99%
First Violins	29	1	11	8	86%
Second Violins	25	0	9	7	83%
Viola	27	0	10	7	82%
Violoncello Continuo	26	0	9	5	78%
Violone Continuo	26	0	9	5	78%

Air from Terpsichore, prologue to Il Pastor Fido, HWV 8, late 1734

edward.maurath

3:16	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	21	15	6	11	100%
	18	19	3	9	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	21	15	6	11	100%
	18	19	3	9	100%
Basso Continuo	18	0	3	9	100%
Contrabasses	17	0	3	9	100%
Violas	16	0	3	9	100%
Violini 1	24	0	5	12	100%
Violini 2	24	0	5	13	100%

"Sento brillar" from "Il Pastor Fido," HWV 8, last season

edward.maurath

5:48	Est. Play Time
104	Measures
	2,734Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	68	8	10	99%
	24	50	5	5	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	68	8	10	99%
	24	50	5	5	100%
Violoncello	19	0	3	5	100%
Contrabassi (Continuo)	17	0	3	3	97%
Violas	18	0	4	4	97%
Violins 1	20	0	4	4	97%
Violins 2	22	0	5	4	97%
Violoncelli (Continuo)	18	0	3	3	97%
Soprano as Mirtillo	18	0	6	10	75%
Bassoon (Continuo)	13	0	1	3	31%
Bassoon with violas	11	0	1	3	31%
Oboe	16	0	1	4	31%

Handel - HWV 61, Overture in e minor

edward.maurath

6:09	Est. Play Time
70	Measures
	2,097Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln 1	26	0	9	10	98%
Viola	18	1	5	9	96%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln 1	26	0	9	10	98%
Viola	18	1	5	9	96%
Vln 2	29	0	11	10	96%
VLN 3	20	2	6	9	91%
Harpsi	19	44	4	8	51%
	25	14	9	9	87%
Cello	23	0	8	9	87%
Kontrebaß	23	0	8	9	87%
OBO 1	22	1	8	10	83%
OBO 2	22	1	8	10	83%
Bassoon	23	0	8	9	79%
Organ	15	21	2	8	38%
	17	8	2	7	29%

"Risonar mi sento al core" from "Il Pastor Fido," HWV 8a, 1712

edward.maurath

3:10	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	57	7	10	94%
	25	37	7	10	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	57	7	10	94%
	25	37	7	10	100%
Violoncello (Continuo)	22	0	7	10	100%
Basso as Tirenio	15	0	4	7	71%
Contrabassi (Continuo)	18	0	5	7	58%
Violini	20	0	4	8	58%
Violoncelli (Continuo)	19	0	5	7	58%

"Lontan del mio tesoro" from "Il Pastor Fido," HWV 8 (Early 1733)

edward.maurath

5:20	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	23	46	7	10	100%
	23	24	4	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	23	46	7	10	100%
	23	24	4	5	100%
Violoncello (Continuo)	19	0	3	5	100%
Soprano as Mirtillo	17	0	6	6	76%
Contrabassi (Continuo)	7	0	0	5	10%
Viole	9	0	0	4	10%
Violini 1	9	0	0	5	10%
Violini 2	10	0	0	4	10%
Violoncelli (Continuo)	7	0	0	5	10%

"parolette, rezzi e sguardi" from "Rinaldo," HWV 7 (1731)

edward.maurath

0:01	Est. Play Time
98	Measures
	1,841Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	25	92	5	11	77%
	20	7	3	10	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	25	92	5	11	77%
	20	7	3	10	100%
Violoncello (Continuo)	18	0	3	8	100%
Soprano as Almirena	13	0	2	11	77%
Violoncelli (Continuo)	17	0	2	7	76%
Contrabassi (Continuo)	16	0	1	7	75%
Violin	17	0	2	8	75%

HWV 8A0N03Y1734 Terpsichore "Gran Tonante"

edward.maurath

10:20	Est. Play Time
69	Measures
	1,999Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	110	7	9	98%
	24	0	6	7	97%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	110	7	9	98%
	24	0	6	7	97%
Violoncello	22	0	6	6	96%
Violoncellos	21	0	6	6	94%
Contrabass	20	0	6	6	94%
Violins 1	24	0	8	9	94%
Apollo	17	0	5	11	93%
Violas	17	0	5	7	92%
Violins 2	21	0	6	7	92%
Bassoon	16	0	0	4	22%

HWV56N22 - Behold the Lamb of God!

edward.maurath

3:15	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	60	6	9	100%
	16	25	3	7	97%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	60	6	9	100%
	16	25	3	7	97%
Violin I	17	0	3	8	100%
Violin II	20	0	4	11	100%
Cello	16	0	3	7	97%
Viola	16	0	3	11	97%
VNE	16	0	3	7	97%
Alto	13	0	3	7	81%
Soprano	13	0	3	9	81%
Basso	15	0	3	7	75%
Tenore	14	0	4	8	75%

BWV 21: Sinfonia in c minor

edward.maurath

3:02	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	30	7	6	100%
	20	2	5	6	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	30	7	6	100%
	20	2	5	6	100%
Contrabasso Continuo	17	0	4	6	100%
Fagatto Continuo	19	0	4	6	100%
Oboe	18	0	8	10	100%
Organo Continuo	13	36	5	6	100%
Viola	11	0	3	7	100%
Violino 1	23	0	7	11	100%
Violino 2	11	0	2	6	100%
Violoncello Continuo	19	0	4	6	100%